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Facing History’s unique approach combines adaptable teaching materials, professional learning, and ongoing support to equip teachers with the tools and practices they need to help students fully engage in their learning. Our continuously growing collection of resources are designed to promote academic rigor, social-emotional learning, and create connections between the complexities of history and today.
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The Nanjing Atrocities Timeline
A timeline of selected dates and events that align with the content explored in our resources on the Nanjing atrocities.
Timeline of Events in China
This is a timeline of selected dates and events that align with the content explored in Facing History & Ourselves’ The Nanjing Atrocities: Crimes of War.
Timeline of Events in Japan
This is a timeline of selected dates and events that align with the content explored in Facing History & Ourselves’ The Nanjing Atrocities: Crimes of War.
The Reconstruction Era Timeline
This Facing History timeline is a useful tool for referencing key events during the US Civil War and Reconstruction Era.
Introducing Memorials and Monuments
Use these photographs of various monuments and memorials to get students thinking about the role and purpose of monuments in a society.
Apartheid Resistance Posters
These posters represent six distinct aspects of the anti-apartheid movement's struggle for democracy in South Africa during the 1980s.
Holocaust Memorials and Monuments
Explore images of memorials and monuments to the Holocaust located in Europe and the United States.
The Bear That Wasn't
Images from Frank Tashlin's children’s book The Bear that Wasn’t, used in Facing History's reading of the same name.
Public Art as Form of Participation
Use these slides to help students analyse the Battle of Cable Street Mural and reflect on the role of public art to commemorate, educate, and build community.
Teaching Mockingbird: Images
These photographs were taken by Walker Evans in the 1930s for the Farm Security Administration of the United States Government. The government established the FSA to help document the reality and effects of the Great Depression on farmers and communities in the rural South.
Glenn Ligon's Untitled: Four Etchings
Artist Glenn Ligon created Untitled: Four Etchings using quotations from writer Zora Neale Hurston's essay, "How It Feels to Be Colored Me" and Ralph Ellison's novel Invisible Man.